Gill Fox art price guide
A long-forgotten artist of the Golden Age, Gill Fox art is rare, but when it comes to market it usually finds a buyer easily.
Record Sale for Artwork:
$15,535 Torchy #3 Cover Art
Key Comic Book Issues:
A few hundred to several thousand dollars will buy a Gill Fox original art page.
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Torchy #3 Cover Art sold for $15,535
Gill Fox art
Bernie Blood Comic Strips Group of 5 sold for $550
Gill Fox art
Bernie Blood Comic Strips Group of 5 sold for $1,090
Gill Fox
Bernie Blood Comic Strips Group of 5 sold for $520
Gill Fox
Bernie Blood Single Panel Comic Strip sold for $2,640
Gill Fox art
Feature Comics #38 Page 1 sold for $1,020
Gill Fox art
Feature Comics #54 Cover Art sold for $4,600
Gill Fox
Feature Comics #56 Cover Art sold for $4,025
Gill Fox art
Feature Comics #58 Cover Art sold for $3,450
Gill Fox
Feature Comics #58 Preliminary Cover Art sold for $500
Gill Fox art
Feature Comics #60 Cover Art sold for $4,480
Gill Fox
Feature Comics #61 Cover Art sold for $660
Gill Fox art
Feature Comics #71 Cover Art sold for $2,150
Gill Fox
Lady Luck #88 Cover Art sold for $5,520
Gill Fox art
Military Comics #20 Partial 3-Page Story sold for $430
Gill Fox
Military Comics #37 Partial Story Group of 4 sold for $1,555
Gill Fox art
National Comics Group of 6 sold for $490
Gill Fox
Police Comics #11 Cover Art sold for $13,800
Gill Fox art
Police Comics #22 Recreation Cover Art sold for $1,320
Gill Fox
Smash Comics Group of 6 sold for $585
Gill Fox art
Spirit Daily Comic Strip 6-14-43 sold for $1,015
Gill Fox
Spirit Daily Comic Strip 8-10-42 sold for $3,740
Gill Fox
The Doll Man Quarterly #3 Cover Art sold for $9,560
Gill Fox art
Uncle Sam Quarterly #4 Cover Art sold for $6,040
Gill Fox art
Gill Fox was a comic book artist, political cartoonist, animator and editor. He first started working in animation at Max Fleischer's studio. From there, he would work for a number of other studios, among them DC Comics.
Fox served as both an editor and cover artist while working at Quality Comics, providing cover art for titles like Torchy and Plastic Man. He also had a brief run on the Spirit daily newspaper comic strip in 1941.
That same year, he also wrote a comic book that detailed a hypothetical German attack on Pearl Harbor, which was published only one month before that actual attack by the Japanese on December 7, 1941.
In 1943, Fox left his editorial position at Quality Comics so he could serve in the Second World War. While enlisted, he worked for Stars and Stripes. He returned to Quality Comics following his service and remained there until the early 1950s.
Following that, Fox left the comic book industry to work in advertising for companies like the Johnstone and Cushing ad agency. While there, he assisted artist Dik Browne on his comic strip Hi and Lois.
In his later years, Fox turned his attention to political cartoons for several Connecticut newspapers, such as the Connecticut Post and The Fairfield Citizen. His work for them earned him multiple nominations for Pulitzer Prizes.
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