John Byrne art price guide
Byrne is royalty among Marvel collectors in particular. His work on the Uncanny X-Men series is legendary, and original art from those books is valuable.
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Record Sale for Artwork:
$204,000 X-Men #137 Page 2-3 Double Splash
Official Website:
http://www.byrnerobotics.com
Key Comic Book Issues:
Original cover John Byrne art is in the tens of thousands range, but interior pages could be $7,000-$10,000 or more, depending on the subject and the amount of action in the piece.
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X-Men #137 Page 2-3 Double Splash sold for $204,000
John Byrne art
Captain America #249 Cover Art sold for $17,925
John Byrne
Captain America #253 Cover Art sold for $16,730
John Byrne
Fantastic Four #240 Quiksilver Splash Page 1 sold for $11,400
John Byrne art
Fantastic Four #250 Pin-up Illustration sold for $43,200
John Byrne
Fantastic Four #254 Cover Art sold for $50,400
John Byrne art
Fantastic Four #278 Doctor Doom Splash Page 1 sold for $7,170
John Byrne
Fantastic Four #292 Cover Art sold for $38,400
John Byrne
Iron Fist #12 Page 17 sold for $7,500
John Byrne
Iron Fist #14 Page 7 sold for $90,000
John Byrne art
Kitty Pride Concept Illustration sold for $21,600
John Byrne
Legends #2 Page 21 sold for $5,760
John Byrne
Marvel Age #86 Cover Art sold for $13,800
John Byrne
Marvel Bullpen Bulletin sold for $144,000
John Byrne
Marvel Comics Presents #47 Wrap Around Cover Art sold for $8,960
John Byrne art
Marvel Graphic Novel #18 Sensational She-Hulk sold for $10,160
John Byrne
Marvel Preview #11 Starlord Page 1 sold for $15,535
John Byrne
Marvel Team-Up #70 Cover Art sold for $28,800
John Byrne
Spectacular Spider-Man #101 Cover Art sold for $90,000
John Byrne
Supergirl Specialty Illustration sold for $7,800
John Byrne
Superman Illustration sold for $7,200
John Byrne
Wolverine #1 Back Cover Art sold for $8,660
John Byrne
Wolverine #17 Cover Art sold for $33,460
John Byrne
X-Men #122 Page 29 sold for $17,925
John Byrne
X-Men #113 Page 14 sold for $108,000
John Byrne
John Byrne began his comic book career while attending the Alberta College of Art and Design in Calgary in 1970, creating comics for the school newspaper including a regular strip that featured his first original character, Gay Guy, a superhero parody that poked fun at stereotypes of the time.
This character would serve as the prototype for Snowbird, a later character created for the series Alpha Flight. While still attending school, Byrne published his first comic, ACA Comix #1 before dropping out prior to graduation to work in the industry full time.
Byrne was heavily influenced by the work of Jack Kirby and would later take the helm of many of Kirby's original characters. He was also drawn to the work of Neal Adams for his naturalistic style. Byrne began freelancing for Charlton Comics before taking a full-time position with Marvel Comics.
Alpha Flight, Marvel Team-Up, The Fantastic Four, The Champions and The Uncanny X-Men were all regular series that Byrne became the mainstay penciller for throughout the 1970's.
In 1980, Byrne began working for DC Comics beginning with the miniseries The Untold Legend of the Batman and was then asked to revamp the publisher's flagship character Superman. This was part of the publisher's restructuring of the DC Universe and Byrne's new take on the superhero garnered much attention and acclaim.
Byrne would later return to Marvel again in the 1990's to work on series like Avengers West Coast, The Sensational She-Hulk, Iron Man and a revamping of Namor, the Sub-Mariner.
In 2008, Byrne was inducted into the Canadian Comic Book Creator Hall of Fame and in 2015, Byrne was inducted into the Will Eisner Hall of Fame. He was also the recipient of the Favourite Comic Book Artist Eagle Award in both 1978 and 1979.
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